the Global Magazine of News and Ideas
Updated: 4 hours 29 min ago
Wed, 24/12/2025 - 19:00
How the region responded to Trump—and more—in 2025.
Wed, 24/12/2025 - 18:00
The stories that shaped the region in 2025, from India-Pakistan conflict to a deepening Afghan refugee crisis.
Wed, 24/12/2025 - 13:00
Our favorite excerpts of 2025.
Wed, 24/12/2025 - 13:00
Here are the countries that have benefited the most—and least—from the U.S. president’s decision-making.
Wed, 24/12/2025 - 12:00
Trump wielded U.S. economic and military might in the region to win concessions.
Wed, 24/12/2025 - 12:00
Our best reads on the state of the conflict as Washington seeks a deal with Moscow.
Tue, 23/12/2025 - 18:00
The trends that defined Beijing’s 2025, from the trade war with Trump to challenges on the home front.
Tue, 23/12/2025 - 13:00
When it’s TACO time, no one wants to be a persistent objector.
Tue, 23/12/2025 - 12:00
Our most insightful film reviews of 2025.
Mon, 22/12/2025 - 22:36
The White House signals its aims by appointing a special envoy to the territory.
Mon, 22/12/2025 - 17:44
FP Live looks back at the year’s geopolitical twists and turns.
Mon, 22/12/2025 - 16:42
Potemkin peace can be a threat all its own.
Mon, 22/12/2025 - 13:00
As the second Trump administration approaches the one-year mark, here’s who is influencing key policies.
Mon, 22/12/2025 - 12:00
Our favorite books—and reviews—of 2025.
Fri, 19/12/2025 - 22:44
But Belgium’s pushback prevented the bloc from using frozen Russian assets to aid Kyiv.
Fri, 19/12/2025 - 21:00
An Oscar-shortlisted documentary shows actual battle in startling clarity.
Fri, 19/12/2025 - 20:45
Scott Anderson’s “King of Kings” offers a timely picture of U.S. myopia and miscalculation in Tehran.
Fri, 19/12/2025 - 20:30
“The Secret Agent,” Brazil’s Oscars hopeful, probes an undigested history.
Fri, 19/12/2025 - 20:15
Iran’s most celebrated director asks what a world after the Islamic Republic might look like.
Fri, 19/12/2025 - 20:00
The latest installment in James Cameron’s cultural juggernaut reflects a sad realism about current affairs.
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